Visions of Adulthood Dancing in My Head
Super popular series MadMen focuses on a Madison Avenue ad agency and its inhabitants in the year 1960. I don't have TV but rented the first season on DVD. The plots bring up many interesting social, cultural and psychological issues, set in a period that is our current time's roots.
Good writing and acting and a stylish design aside, what has riveted me to the series' story lines is that this time in history is our current time's immediate predecessor. It's so far away and yet just beyond the door. It informs much of what we don't think about. So much has changed since then, it's almost unbelievable. In this time, men work and women are almost all wives or secretaries. There are three maverick female characters who most modern women will relate to, myself included. They are the wealthy and commanding dazzling leader of a Jewish department store, a free spirited unmarried commercial artist living in the Village and a (scandalous) divorcee who moves into the lead characters' suburban community with her two young children and the other mothers can't figure out how or what she's about.
These societal questions have me thinking more deeply than usual about what adulthood is, what adult roles are and what I myself want out of life, relationships, work and love. I've never seen this period portrayed in a way that made me realize what it was like to live in it as a young adult unless it's just hitting me this way because of my own time when watching it.
In keeping with these thoughts, the other day I thought about the Joni Mitchell lyrics from her song Court and Spark:
“It seemed like he read my mind
He saw me mistrusting him
And still acting kind
He saw how I worried sometimes
I worry sometimes”
Like MadMen and other stories and art, there are moments when meaning pops out and talks directly to us. I heard these lyrics differently than I had heard them before and it made me think about Joni Mitchell writing them and feeling them as an adult. When I first heard them, I thought of them at face value. Now I feel that “adult worry” and the worry in a relationship too is such a deep and troubling thing and I get so much more from what she is saying. I guess you never stop growing up in life, if you're lucky, that is.


The lead character is a good guy who faces numerous challenges.
My scientific client, Pratt & Whitney, makers of engines for aircraft and numerous other purposes, often uses diagrams and charts to explain concepts. And I'm not talking about diagrams of equipment; I mean conceptual diagrams. One of their standard diagrams is called an “Iceberg Chart.” The meaning of this may be apparent, that much of what is important in a project, approach or undertaking lies beneath the surface. And the information and needs that are below the visible surface must be taken into account for a full, productive, even safe picture and a successful outcome.
Whether it be food, money, sex, power, control or some other pursuit with big draw, we all struggle with the right mixture of hanging on and letting go, giving in and resisting, taking and receiving. This wrestling is more and less profound depending on the topic and risks involved. And people play mind games with themselves about these things on a regular basis.






Now, I've found another book that takes this concept into the context of romantic relationships: Gary Chapman's 

“We are a community where people with nowhere to turn, turn their lives around.”


At left: “IMAX Shadow” in oil 



















